AudioChainsDB
OUTPUT SCENARIO

Focusrite Vocaster Two with Superlux HD-681: the cheap headphones are the loud ones

This is a shop bundle, and it computes better than the obvious studio pairing. 32 ohms and 98 dB/mW give 117.2 dB on an interface that manages only 106.3 dB with a 250 ohm DT 990 — 10.9 dB in favour of the cheaper half. The number rests entirely on the voltage side of Focusrite's sheet.

Signal Chain Compatibility Matrix

Select gear and parameters for live gain, impedance and SPL calculations.

Input Equipment Setup

85 dB SPL

PASS: Optimal Signal Chain

Requires minimum +60dB of clean pre-amp gain. Most budget entry interfaces max out at +50dB to +56dB and introduce hiss at max pot. An inline preamp booster (Cloudlifter CL-1 / FetHead) is strongly recommended.

Gain Staging (Required Gain)
+57 dBInterface max: +69 dB
Inline Booster Status
Direct connection OK

The interface preamp provides sufficient headroom.

Chain Budget (new vs used)
2026
Total chain MSRP (new)

$538

Secondary market estimate

$405

-25%
Potential savings buying used:~$133 (25%)
Expert Audio Engineering Commentary

Tonal & acoustic characteristics: Flat, wide-range frequency response for clean music and speech. Smooth, warm acoustic character with air-suspension shock isolation.

Technical advisory: With +69dB max gain, the Gen 4 Solo can drive demanding dynamics like the Shure SM7B natively without requiring an external inline booster.

Physical Interconnect Topology

Input Chain (XLR / USB)
Stage 1: Input Source

Shure SM7B

Output Port:XLR / 1/4" TS
Stage 2: Intermediate Gear

Direct Cable Connection (No Intermediate Box)

1x Shielded Balanced XLR Cable (3-Pin XLR Male to XLR Female)

Phantom Power:+48V Ready
Stage 3: Interface / Host

Focusrite Scarlett Solo (Gen 4)

Host: Apple MacBook Pro (M1/M2/M3/M4)

Input Terminal:Combo XLR / 1/4" TRS
Signal and impedance metrics are calculated from hardware specs.

Louder than the studio option by 10.9 dB — and the number rests on voltage alone.

Level. This pairing is a Thomann bundle: Vocaster Two plus Superlux HD-681. Superlux publishes 98 dB/mW at 32 Ω, which converts to 113.0 dB/V. Focusrite publishes 1.64 V. Peak level: 117.2 dB, 7.2 dB above the target. Put the interface's obvious studio partners on the same socket and it goes the other way:

| Headphones | Impedance | Peak SPL | Against 110 dB | |---|---|---|---| | Superlux HD-681 | 32 Ω | 117.2 dB | +7.2 dB | | beyerdynamic DT 770 Pro 80 Ω | 80 Ω | 111.3 dB | +1.3 dB | | beyerdynamic DT 990 Pro 250 Ω | 250 Ω | 106.3 dB | −3.7 dB |

The cheapest headphones in the table are 10.9 dB louder than the dearest. Cheap is not quiet, and low impedance is loud.

What the datasheet will not settle. Superlux prints one sensitivity and one impedance for the HD681, HD681B and HD681F — three models the same page describes as having three distinctive sound profiles. That cannot hold at every frequency. It does not change the verdict here: even a ±3 dB spread between variants leaves 114.2–120.2 dB, comfortably over.

The pearl: 1.64 V is a voltage, and this load asks for current. Holding 1.64 V across 32 Ω means 51 mA and 84 mW. The only power figure Focusrite publishes for this output is 8.5 mW at 270 Ω — ten times less, at a load 8.4 times higher. So 117.2 dB is an upper bound built entirely on the voltage side of the sheet, and the current side is unpublished. On the 250 Ω row those 8.5 mW barely matter, because 250 Ω is nearly the load they were measured at. On the 32 Ω row they are the whole question.